Monday

Waiwera


John Amos Comenius. Orbis Sensualium Pictus: A Facsimile (1659 / 1968): 232.



A wet day on the coast, at the hot pools. It feels strange to be floating in steaming water as cold sheets of rain fall from the sky.

All of the adults are sheltering under the garish awnings, munching hot dogs and chips, but groups of children keep on running out into the open to splash each other, screaming like banshees.

Lifeguards stand around in drenched blue raingear. “No t-shirts in the pool,” they shout. One kid (12 or so?) is ordered to strip off her top, only to reveal she has nothing else on above the waist. She runs off crying, arms cradling her chest.

What difference does it make, in the rain?

Rules are rules and must be obeyed.

The water is blessedly warm.

There are covered pools too, of course: hot spas. The most crowded one is the big screen pool, where you can wallow in comfort, watching movies or satellite TV.




The beach is grey and rain-swept too, but clean: sands stretching out to the island, bush-clad hills in frame.

– D’you want to play a game?

– What kind of game?

– Imagine you’ve woken up in a blue room, a room where the walls and floor and ceiling are all coloured sky-blue. There’s no door, no windows, no way in or out. You have absolutely no idea how you got there. How do you feel? Think of three words to describe it.

– Ummm … cold, frightened … lost, maybe.

That’s Car’ for you. Straightforward and uncomplicated. I guess that’s why I like her. I felt comfortable … off the hook … relaxed, the first time I played it.

– Okay, now think of your favourite animal. Three words that explain why you like it so much.

– Aren’t you going to explain the blue room?

– Only when we’ve got to the end.

– Okay, then, let’s see – my favourite animal. That would be a … koala bear. Warm, furry, and … trusting.

(I chose a wolf: beautiful, fearsome, unpredictable …)

– Okay, the last one. Think of a body of water: a lake, or river, or sea, or stream. Any body of water: a waterfall even. Describe how it makes you feel.

– Three words?

– Yep.

– Okay. That one’s not so simple. Umm … I think a mountain tarn: clear, deep, dark and clean. Oops, that’s four, isn’t it?

– It doesn’t matter.

(I chose the sea, the sea where it meets the shore: vast, turbulent and strong.)

– So what does it mean?

– Well, it’s just a trick really. It doesn’t mean anything much, I’m sure. But the idea is supposed to be that the blue room is your attitude to death.

– Oh! I felt all cold and scared. Is that good?

– Well, yeah, I guess so. It’s normal, anyway.

– What about the others?

– Well, the animal stands for …




Car’ says some people think we’re surrounded by ghosts all the time.

That every second person you see is a ghost.

It was the matter-of-fact way she said it that got to me. Maybe it comes of being religious, but I thought I was supposed to be the extremist. The idea of seeing a ghost totally freaks me out, but she just took it in her stride.

She told me she’d spent a night in a haunted house once.

It was when she was staying with some relatives of hers in Scotland: an uncle and aunt, or some cousins, or something like that.

They were driving along the road towards the old stone cottage they lived in, late at night, with some creepy ghost story playing on the radio, when suddenly, on an impulse, she asked if their house was haunted. They looked at each other and said, Oh, we’d better not talk about that now, which was really reassuring.

Then she had to go and sleep in the attic because there wasn’t enough space downstairs, and the house was so ancient that it didn’t even have an inside staircase – you had to go outside to climb up these old stone steps in the dark, up through a little door into this big room full of every piece of junk anybody had wanted to preserve for the past couple of hundred years – old books, and boxes, and chairs, even a set of deer’s antlers – and there was an oil stove burning in the middle of the floor, because it was so cold and snowy outside, and a little gas lamp for light, and she had to make her way across the floor to a camp-bed in the middle of the room, and then blow out the lamp and lie there with the oil heater huffing and puffing away, and throwing reflections and shadows on the walls, listening for creaks and expecting something to come and join her every minute.

But nothing did.

Next morning, at breakfast, she asked them again about the haunting and they said that there was a ruined monastery next door, and sometimes the monks had been seen holding services in the downstairs room (it used to be a boathouse, and coffins were put there before they were shipped over to the other side of the firth for burial.)

They also said that one of their children when he was really young had seen someone with a hood looking in on him in his cot, and they thought that might have been one of the monks. He wasn’t at all frightened, because apparently whatever it was looked friendly, but it made you think twice about being there alone.




There was a documentary on last night about psychic television.

All you need is a video camera and a TV monitor, apparently. First you tune the TV to a dead channel – just static. Then you set up the camera to film the monitor. If you play back the videotape frame by frame, sooner or later faces appear.

They don’t look like ghosts; more like still photographs. Not spirit photographs, but portraits: stiff and formal, lifeless. The German researcher who started it all wanted to contact his dead daughter. He got a picture he said was her, hovering like a balloon in a parade, her puny arms dangling beside her, face framed by bangs of hair.

Does it bring people comfort? Who knows, who can say? All you can say is, it works. You can get pictures of faces that way. What it means is anyone’s guess, the point is that it works.




I should tell you more about Car’. I must have mentioned her a few times now. She’s my best friend. We’ve been friends since primary school, in fact. We’re totally unlike. I don’t know what she sees in me, to be honest. I like her because she’s good – good inside, I mean.

Her real name’s Caroline, but I call her Car’ because of this old book we found together which had a character in it, a beautiful, cruel, Eurasian girl, called Cara Jolly (Car’ for short). It was an autobiography by an English army officer, about the women he’d slept with and the things he’d done with them and all that sort of stuff.

We found it in the attic at her parents’ place. She said it couldn’t have been her father’s (he’s a minister) but that it might have belonged to her uncle. It was really smutty. We read parts of it out loud, putting on funny voices for the different characters.

That’s the thing about her, you see. She’s a laugh, she’s fun, even if she does go to church on Sundays, and prayer-meetings all through the week.

She came to see me a couple of times in hospital, and since then we’ve been spending even more time together than we did before. I suppose she thinks it’s her Christian duty, but you’d never guess. It seems natural to her, as if it’s normal for her to be nice.

That’s what kind of fascinates me about her. She makes me want to be good as well.




Have you ever had a waking dream?

That was the thing I wanted to ask Car’, but somehow couldn’t. I guess I was afraid how she’d react. She’d probably have been cool with it, but you never know …

I don’t mean a daydream, when you’re just playing with a lot of ideas in your mind and drifting off somewhere; I mean a real waking dream.

Since the overdose, I’ve been finding it difficult to sleep. I used to get it only when I’d had caffeine before going to bed, but now it seems to happen for no reason at all. I don’t know how to stop it.

I was lying in bed, not stressed, like you usually get when you can’t sleep, but just nicely relaxed, with my eyes open, when I saw a hand reaching for me from the table at the side of the bed. It was dark, but I could still see the fingers coming at me. I wasn’t scared, just a little disconcerted. I knew my eyes were open, and that I wasn’t asleep, but I could still see this hand.

I picked up a cushion as a kind of shield and held it in front of me. Nothing came past it. Then I reached up and turned on the light. There was nothing there. But my eyes were open, they were still open! It was as if it had been real.

It made me wonder if I was losing my mind.

Last night it happened again. The exact same thing. My eyes would just not get heavy. Even when I held them closed they seemed alert behind the lids.

Looking down at the side of the bed, I saw a cat there, or rather a kitten – grey, I think, but you can’t really tell in the dark. It was standing on its hind legs and reaching up towards the bedclothes.

Again, it didn’t scare me, exactly, but it was odd. I was so sure I was awake.

I thought, Oh, that’s the explanation for the hand. There’s a cat living in here, and it started climbing towards me, so I thought it was a hand. I know that sounds ridiculous, but that was what I thought.

When I looked again there was no cat. There’s no evidence of a cat anywhere this morning. There never was. It can’t have been real, and yet I saw it – with my eyes open.




Dear Mum,

I didn’t think I’d ever write to you again. Everybody seems to agree that it would be a really bad idea. That’s the one thing they all do agree on. It’s your birthday though, today, and I couldn’t resist wishing you many happy returns.

Dad finally agreed to tell me a few things when he saw how much you’d been on my mind. He told me how you’d drowned yourself. Or maybe you just fell from the cliffpath. Nobody can actually say if it was deliberate or not.

I could see him thinking “Like mother, like daughter,” the whole time we were talking. He always looks a bit frightened these days. Like he doesn’t know what to do or say anymore, but hopes if he just pussyfoots around for long enough then everything’ll turn out okay.

What do you think? Will it?


What I really wanted to say was: Could you please stop bugging me?

I know I started it. I was the one who got in touch with you, not the other way round. But I’ve had enough of it now. Since that first time I’ve been seeing you everywhere. Not doing anything much, just waiting on a street corner, or disappearing through a door, but long enough each time for me to see it’s you.

If you keep it up I’ll tell on you. There’s plenty of people I can tell, too. There’s my new shrink, or Car’, or even Dad.

I’m ordinary, you see. That’s what I want to be. Car’ and I are like sisters. The more time I spend with her the more I learn to be just like her.

I can be like everyone else if I put my mind to it.

That’d make them all happy, wouldn’t it?

I love you. I do love you, but you need to leave me alone now.

your loving daughter, L.





Jack Ross: Monkey Miss Her Now (2004)


[4/8/2003]

[2052 words]

[Published in Monkey Miss Her Now (Auckland: Danger Publishing, 2004): 127-33.]



Sunday

The Money Pit


John Amos Comenius. Orbis Sensualium Pictus: A Facsimile (1659 / 1968): 12.


One fine summer’s day in 1795, a sixteen-year-old boy named Daniel McGinnis rowed over to a small island called Oak Island, off the coast of Canada. He hadn’t been there long when he noticed a track leading inland. He followed it, and found a little clearing with an oak tree at the centre. There was a depression in the ground beside it, and marks of ropes and pulleys on the trunk.

Next day he came back with two friends, and started to dig for the buried treasure they thought must be hidden there. Four feet down, they found a layer of flagstones, which persuaded them they were onto something. At ten feet, they found a layer of oak logs. At 20 feet, more oak logs. At 30, still more. That was as far as they could get by themselves, so they went back to town to try and raise money to dig further.

No-one seemed very interested in their project, so it wasn’t till 1804, ten years later, that they were able to return with the equipment to dig deeper. At 40 feet, they found another layer of oak logs, sealed with putty. Then there was a layer of charcoal, then more logs at 50 feet, 60 feet, 70 feet and 80 feet. At 90 feet they found a stone with strange writing on it, but none of them could read it, so they just kept on digging. By now the ground was very wet, and they were continuously bailing out water. At 98 feet they found a platform of spruce logs, and decided that the treasure must be hidden underneath. It was late on a Friday, though, and they decided to leave the last few feet for Monday morning.

On Monday, when they got back to the island, they found the entire pit flooded with water from about thirty feet down. There was nothing more they could do, so they were forced to leave behind whatever was buried there.

This was just the first of many attempts to excavate the “Money Pit” and decipher the mystery of Oak Island. Each new group who came to dig there messed the ground up more, making it more and more difficult to reconstruct the original arrangements.

Eventually they discovered there were tunnels leading to the pit from the nearby seashore, which is why it flooded at every high tide. As the mine shafts got deeper and deeper, the ground got more and more sodden with water, which is why nobody could ever follow up drills which seemed to touch metal objects down in the darkness.

To this day, nobody has succeeded in discovering just what was hidden at the bottom of this mysterious deep hole in the ground. In 1970 a special submarine camera was sent down over 200 feet. It filmed what looked like a treasure chest with a severed hand beside it. Divers were unable to find anything there, though.

Nobody knows who dug the immense pit – or why.


B(-). This is an interesting story, which you tell very well, but I wonder why it’s of significance to you, and what it tells you as a story? (I take it it’s true and not invented?) You might have included some character sketches of the main people involved, or some theories about who dug the hole (Pirates? Spacemen?) It isn’t really a history essay otherwise, I’m afraid, and can’t be seen as an answer to the question about the nineteenth-century event which seems most significant to you. [1]



Picking up her backpack, Laura slipped out the front door. Outside, everything was brilliant sunshine. The garden glowed green, a bright metallic green – no shadows anywhere.

She walked quickly, conscious of the need to hurry. It was bright but cold; a brisk wind had sprung up, leaves blew round her as she walked. Cars honked as they passed her, but no faces were visible through the mirrored windows.

There was a beggar on the corner, an old blind beggar with his hand thrust out for alms. “CRIPPLED IN THE WAR,” his sign said. It didn’t seem quite right somehow. Crippled in the war – what war? It was as if he’d stepped out of a book. Even his rags seemed wrong: too smooth, too oily, tightly wrapped around … he wasn’t accurate.

As she hurried past he pushed up his dark glasses and stared, then made a sudden grab for her. She’d been half-expecting it, and veered away from him, shrinking from the groping hands.

“Stay here for a bit, girlie, I’ve got some things to show you,” he croaked, as she broke into a run. “I’ll let you touch it; if you do things for me I’ll …”

His voice faded as she made her way out onto the main street, safe from his grimy gaze, his horny hands.

Now, as she walked along, she sensed a shift behind her. Everything fixed itself as she drew beside it – tried to look as normal as it could, here on her everyday route to school. But the instant she walked past it changed. It wasn’t a visible change. Each time she looked back, the street-scene shimmered slightly but held shape. She could feel it vanishing, dissolving in her track. In front, a heat-haze, fog, line of blurred horizon marked the place – perhaps the moment? – where all this began. It was like being caught in a film-loop, a Moebius strip of appearances.

When the school loomed up in front of her, she felt the effort most strongly – the effort of pretending it was so, that the buildings were like this, that this was all there was. She sensed a pressure of chaos waiting to break through it all, a darkness held in check by habit alone.

Her Maths teacher, Mr Blaine, stood by the gate. “You’re late,” he barked. The clock was striking nine. “Time for class. Let’s see your bag.”

“But I need it! It’s got all my books and notes and things.”

“I’ll keep it safe for you. I need to check your homework. You won’t be needing it first period, anyway. Your first class is Phys Ed today.”

She handed him the bag.

Passing into the school hall, she saw the hall monitor, a poisonous senior named Sandra, standing outside her first period classroom. “Hurry up, you’re late,” she prompted. “Hold on, you won’t need that” – pointing to her school blazer, the red one with the school’s embossed crest: SPEM SUCCESSUS ALIT – Success inspires hope.

In the classroom, there was a large message left on the whiteboard: First period maths is cancelled. This morning you’ll have your fitness tested. Make your way to the gym to change for the twelve-minute run.

It was like some tedious treasure hunt. The sheer normality of the school, the smells of chalk, badly-washed sheets, hung over the place like a miasma, somehow reinforcing belief in this odd set of events.

The other girls were out of the changing sheds already when Laura ran in. All, that is, except Brenda, still slobbing around in her unattractive undies. Whistles were blowing outside. Clearly something was being organised out there, and Laura felt a strong pressure on her to hurry.

“Can I borrow your skirt, Laura?” asked the girl. “I need to go to the office, and one of the others spilt shampoo all over mine. I won’t be a minute, I promise.”

Fuck off, fat cow, snarled Laura in her head, as she smiled and slipped off the heavy uniform skirt. This was getting a little out of hand.

“And the blouse? I need that too,” smirked Brenda.

Silently, Laura handed it over. The sounds in the hall outside had died down to nothing. Presumably all the others were off on their run by now. Nagging doubts were beginning to rise. What was she doing here? Wasn’t there some other dimension to this? What was happening seemed familiar, true, but then school days do resemble one another. No time to think about it now. She rushed out into the gym.


Sure enough, everyone had gone except Miss Prentice, the gym mistress, with her ugly white shorts and bright tin whistle.

“Shoes, Laura, shoes! No black-soled shoes in the gym hall, you know that! And where’s your gym gear? Did you forget to bring it?”

Looking down, Laura realised she was only wearing bra and briefs. Blushing, she bent to pull off her shoes and socks.

“You know you can’t go on the run like that! You’d die of cold! You’ll have to find Sandra. She’s organising some girls to help the caretaker.”

“But …” she began, and was immediately cut off.

“No buts,” said the teacher, scooping up the shoes and socks. “I’ve got to go, got to check the circuit in case anyone’s in trouble. Find Sandra. I’ll see you at the end of the period.”

And there stood Sandra, at the other entrance to the gym hall, smirking as usual, with her little blue monitor’s badge and her list of defaulters.

“Laura, over here! You and Brenda are to go down to the boiler room to help Mr Jones with clearing up some rubbish. Where is that girl?”

“But … I need to put some clothes on first.”

“No time for that. It’ll be a dirty job anyway. You might just as well go down as you are. You won’t need that either,” pointing at Laura’s watch.

The watch was gold, rather valuable, inherited from her mother. She couldn’t imagine why she’d come to school wearing it. Reluctantly, she slipped it off her wrist, and handed it to the officious Sandra.

“Brenda borrowed my clothes to go to the office.”

“Oh, did she now? We’ll see about that,” said Sandra with relish. “Off you go to the boiler room, then. Mr Jones’ll tell you what to do.”

I’ll bet he will, thought Laura, as she made her way through the freezing corridor, silent as a cat on the linoleum in her bare feet.


The boiler room could only be reached through a side door off the main entrance. It was at the bottom of a narrow flight of concrete steps.

“At least it’ll be warm down there,” she thought, pulling open the heavy green double doors.

She’d never been down here before. It was an almost impossibly baroque adjunct to the prosaic school buildings. The staircase quickly degenerated into a few scrapes in the clay, and the walls were positively sweating with moisture, running red down the sides to puddle at her feet. It’s a good thing I’m not wearing anything that could be ruined, she thought as she went lower and lower into the earth.

Mr. Jones was there, sure enough, stoking a boiler as large as a room. There was a heap of coal to one side, with a spade and a wheelbarrow, and wood for kindling stacked neatly beside it.

She didn’t know whether to speak to him or not. For the first time she felt nervous, as if she’d passed the bounds of her normal day and was breaking through elsewhere, somewhere outside.

He didn’t look round, simply muttered out of the corner of his mouth, “More kindling.”

“What type of kindling?” she asked, looking at the rough heap of logs.

“Cloth, paper, anything light. I need to get this fire burning properly or the coal won’t catch.”

“There’s only wood.”

“Nah, has to be lighter than that. Quick, or it’ll go out. It’s down to embers already.”

It was very important that the fire shouldn’t go out. Suddenly it had become the most urgent thing in the world. The boiler’s red mouth seemed to plead with her: Keep me stoked up! If I do go out you’ll be sorry

Sighing, she slipped out of her bra and briefs, and handed them to the swarthy dark man.

The flames flared up, briefly, then died down again.

“More fuel, we need more fuel,” growled the man, handing his poker to Laura. His eyes flicked over her idly, as if he hadn’t even registered she was naked. “Keep it stoked as high you can.”

He shuffled off up the stairs. He didn’t resemble Peter at all, but that was who she found herself thinking about as she poked and prodded at the waning flames. More like her father, really. Back when he’d been big and strong, before the cancer …

God it’s huge. No wonder, really, when you think it heats the whole school, all those class rooms and halls and offices. You could hardly see the end of it. She bent over to see what success she was having, and glimpsed a expanse of black crust with red heat glowing beneath it.

There seemed to be an opening at the other end. Perhaps that’s where all the heat’s going, she thought, as her eyes slowly adjusted themselves to the flickering red light. Was that a face over there? Someone looking out at her, as if in a mirror? Was it a mirror?

She tried moving her hand to and fro to see if the other figure would do the same, but it was too hard to make out. There did seem to be some kind of corresponding motion. It was speaking, surely. She strained to hear what it was saying.

Come on …”

That much could be made out, but there was something else as well.

Over …”

“Come on over …” Hardly, through the middle of a furnace! Was there a way round the side?

She could see the face more clearly now. It did look a little like her, but it was older. Like an older sister, or herself in a few years, perhaps?

It was beckoning to her, unmistakably beckoning. She shivered. She’d almost forgotten her nakedness in the heat of the fire, but now it was dying down the chill of the day began to strike at her again. Suddenly the furnace seemed a less unattractive place to be.

The first part was all fused charcoal anyway. She tested it with her hands. Warm – not burning.

As if it were the most natural thing in the world, she crawled into the bright belly of the flames.




Notes:

[1] For more on the infamous "Money Pit", see the Oak Island Mystery entry on Wikipedia.





Jack Ross: Monkey Miss Her Now (2004)


[3/8/03]

[2368 words]

[Published in Monkey Miss Her Now (Auckland: Danger Publishing, 2004): 109-15.]